Renny Ottolina, the man who changed the Venezuelan TV during the lates 50' 60`s and 70`s.
THE NUMBER ONE, is the only name that can be given to a documentary that shows the life of such Venezuelan man that was Renny Ottolina, who deserves recognition for his impeccable work throughout his life. A man who became from sleeping outdoors in the open cars to one of the most richest and important man in the Venezuelan medIa
Renny was a perfect example of human being with great ideas, whose development as an announcer, TV host, and advertising man took him to a very important place in the Venezuelan politics.
A man who used his image to show the magnificent of our country, someone who took advantage of his place in the Venezuelan TV to give his contribution for the education of our country, and touched the hearts, changed the thoughts and way of living of each Venezuelan who had the opportunity to know him in those days.
Renny also was the first Venezuelan having a TV talk show in the US, who also achieved to run his program with all the values that it means in Paris, Madrid and Rome.
Renny was a man who wanted to give to Venezuela an important place in the world by fighting against being an underdeveloped country.
This documentary pretends to honor a man who used his fame to educate the Venezuelan people, pretends to show Renny as an example of life that new generations should know before his memory will be completely extinguished
"Just learning and working we can succeed I don't know any other way". Renny´s thoughts are still present in our country as the time had not gone, that means that he was a man who lived in advance. If Venezuela had had more people like Renny, perhaps its history would have been different. This is the reason why this documentary, not only pretends to show the great entertainer and television leader that Renny was, but also his personality, his family life, his weaknesses, the mysteries surrounding his disappearance.
This work will dignify him and will be a reminder of his particular way of reaching the audience, with the education as a priority.